Before they are famous

Matteo Cimatti (violin), Gabriel Francis-Dehqani (cello) & Zany Denyer (piano)

Works by Paganini, Elgar, Busoni & Britten (GSMD)

MONDAY
14TH OCTOBER
13:05

FREE

Paganini Caprice No.2 for solo violin

Elgar Violin Sonata in E minor op82

Busoni Serenata for cello and piano op34

Britten Cello Sonata in C major op65

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  • Zany Denyer

    Zany is an award-winning London-based pianist and Samling Artist, specializing in chamber music and vocal accompaniment. As co-founder of Trio Havisham, he won 1st prize at the CAVATINA Intercollegiate Chamber Music Competition at Wigmore Hall (2022) and 2nd prize at the Concours International de Musique de Chambre de Lyon (2023). Trio Havisham also received the Tunnell Trust and Kirckman Concert Society awards, and the Musicians’ Company Award at Wigmore Hall, joining their Young Artists’ Programme.

    Equally passionate about vocal, he won the Kathleen Ferrier Society’s Dennis Horner Accompanist and 1st prize at the Royal Academy of Music’s Schumann Lieder Competition. He was also invited to join the Leeds Lieder and Franz Schubert Institut Young Artist programmes with duo partner Aksel Rykkvin.

    Previously studying with Murray McLachlan at the RNCM, and Michael Dussek and James Baillieu at the RAM, he now studies with Charles Owen, Caroline Palmer, and Carole Presland at the Guildhall School of Music and Drama.

  • Gabriel Francis-Dehqani

    Gabriel has performed as a soloist and chamber musician across the UK, Europe and Asia at venues such as Wigmore Hall, The Arnold Schönberg Center, St John Smith’s Square, Snape Maltings Concert Hall, The Barbican Hall, The Princess Alexandra Hall, St Martin-in-the Fields, Jinan Concert Hall and Bechstein Halls in Beijing, Shanghai, Hangzhou and Changsha. In 2024 Gabriel won First Prize at both the Muriel Taylor Cello Competition and the Irish Heritage UK competition, held at Wigmore Hall. He also won first prize at the 4th Edition of the International Contemporary Music Interpretation Competition(adjudicated by Giovanni Sollima) and was subsequently invited to perform a solo cello recital at the Accademia Filarmonica Romana. He has been broadcast numerous times on BBC Radio 3and BBC Radio 4 as a soloist and chamber musician and attended festivals around Europe such as Santander Encounter of Music and Academy, International Summer Academy of the MDW, Schiermonnikoog and IMS Prussia Cove. Gabriel has won numerous awards from The Countess of Munster Musical Trust, Help Musicians UK and The Stephen Bell Scheme, supporting his studies at the Guildhall School of Music & Drama with Louise Hopkins, where he is currently on the Artist Diploma course.

  • Matteo Cimatti

    Matteo Cimatti is a 24 year-old Italian violinist based between London and Switzerland. Praised for his “refined playing and melodious and intense tone” (ANSA, 2023), Matteo is a Borletti-Buitoni Trust Nominee and has recently won awards from the Fondation Leenaards, the Rahn Kulturfonds and the Councours d’Interprétation Musicale de Lausanne.

    Currently pursuing an Artist Diploma degree at the Guildhall School of Music and Drama under the guidance of David Takeno, Matteo previously studied at the Haute École Musique de Lausanne in Switzerland, where he recently studied with Janine Jansen.

    Following his solo debut at age 14 with the Lithuanian Chamber Orchestra, Matteo was invited to perform with the same orchestra in 2015 in Lithuania and has since gone on to appear as a soloist with several orchestras across Europe, including the HEMU Orchestra, the Orchestra Galilei and the Young Musicians European Orchestra. In April 2024, Matteo performed Mendelssohn Violin Concerto alongside the Orchestre de Chambre de Lausanne conducted by Nicolas Chalvin.

    Matteo has performed in numerous festivals throughout the years, namely the Sion Festival, the Festival Musikdorf Ernen, the International Holland Music Sessions, the Festival dei Due Mondi, the Virtuoso & Belcanto Festival, the Farulli 100 Festival, the Lavaux Classic and the Ticino Music Festival among others and he has appeared in numerous concert seasons in his home country and abroad, such as the International Lyceum Club of Florence, Columbia Global Centers in Paris and the Walton Foundation in Ischia.

    Matteo was a prize winner at several national and international competitions, most notably the ConcoursFeast of Duos International Competition, the Premio Postacchini International Violin Competition, the Città di Moncalieri International Competition and the Premio Crescendo Competition.

    A chamber music enthusiast since a very young age, Matteo enjoys a rich and varied concert activity as a chamber player. Over the years he has had the pleasure to play in numerous formations and groups ranging from string trio and quartet to octet, performing in such venues as the Parco della Musica in Rome and the Mozarteum in Salzburg. Recent chamber highlights include a performance alongside Janine Jansen at the Sion Festival 2022. He is a founding member of the Basel- based Wendel Quartet since January 2024.

    Matteo Cimatti plays a 1769 Giovanni Battista Guadagnini violin kindly loaned to him through the Beare’s International Violin Society by a generous sponsor.

St Dunstan-in-the-West

St. Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches.

The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside

Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church.

The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.

The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.

The Church Today

The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):

When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.

The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign.

Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.

The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.

The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.

St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.

Other Famous Connections

The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!

The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfranc; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.